For the first time since the end of the May, last week I had a harp lesson with Lauren. In all honesty, I was a bit apprehensive because the summer had passed me by in a bit of a blur — a blur of hospitals and illness, tests, an operation, and then recovery. I’m still not 100% (or what passes for that, in my case), but I am improving all the time. Even so, I was too much “in my head” about my lack of recent harp practice or lessons when I saw Lauren, and thus was a tad nervous.
I need not have worried; Lauren calmly took me back under her wing, so to speak, and soon I was back at Dragonharp, working away at two new pieces from Skaila Kanga’s Minstrel’s Gallery. And feeling Dragonharp’s strings beneath my fingers again was bliss.
I have also re-started my theory lessons with Denise, who is being equally calming and encouraging. I am currently wrestling with time signatures and trying to get the notation to “stick” in my head. Something must be working because I am noticing more and more layers about the music I listen to these days, which surely must be a good thing no matter how terribly I feel I’m progressing…
Why is it that I feel like I can’t do this when I am away from the harps? And yet the moment I work my confidence up to sitting down with one, and touching the strings, I feel like I can conquer the world… How do I find the way to move more easily from the former to the latter, without getting too much enveloped in my fears and low esteem?
Hopefully the answers will come in time… For now, it’s practice, practice, practice…
One breezy summer day in 2011, I decided I’d go into Manchester and check out some of the music shops there, to see if they had any harp music. It also meant I could meet my husband for lunch and, if I hung around in the city centre for long enough, we could travel home together once he’d finished at work. And so, off I went.
Well, I’ve always had a thing for dragons and I love reading books or watching films in which they feature. I used to collect a range of dragon ornaments (before they were retired) and when J.R.R. Tolkien said, “I desired dragons with a profound desire,” he was a man after my own heart! So, it felt entirely natural wanting a dragon on on my harp — red, because it’s my favourite colour. And if I can’t fly like a dragon myself, then the sound of Dragonharp’s strings as I play will have to be flight enough, so I guess in a lot of ways the dragon represents myself.
As well as the dragon, I also wanted to add a small purple butterfly to the design, in memory of my dear friend and heart-sister,